Wow. First, you're reading a satire of an upper middle class Brooklyn family on vacation, then it becomes something else when a couple knocks on the door of their air bnb in the middle of the night, claiming to be the owners, then it becomes something even more disturbing, and you've read all 241 pages without being able to put it down!
“Eerie and timely, Leave the World Behind will be the next book to talk about. Rumaan Alam is now solidified as a must-read author for me. He lures the reader in with excellent character development as well as family drama when the book takes a sudden turn. Slowly and masterfully, he starts building tension and suspense while teasing the reader with ominous threats in the background. Before you know it, you’ve stayed up half the night racing to the end of the book. It’s a fast read but a powerful book asking important questions.”
— Katerina Argyres, Bookshop West Portal, San Francisco, CA
A Read with Jenna Today Show Book Club Pick!
Finalist for the 2020 National Book Award (Fiction)
One of Barack Obama's Summer Favorites
A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe
A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong.
From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis.
Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.
Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?
About the Author
Rumaan Alam is the author of the novels Rich and Pretty, That Kind of Mother, and the instant New York Times bestseller Leave the World Behind. His writing has appeared in The New York Times, New York Magazine, The New Yorker, The New York Review of Books, Bookforum, and the New Republic, where he is a contributing editor. He studied writing at Oberlin College and lives in New York with his family.
“A slippery and duplicitous marvel of a novel…. Leave the World Behind is atmospheric and prescient: Its rhythms of comedy alternating with shock and despair mimic so much of the rhythms of life right now. That's more than enough to make it a signature novel for this blasted year.” — Fresh Air (NPR)
"'Leave the World Behind' is the perfect title for a book that opens with the promise of utopia and travels as far from that dream as our worst fears might take us. It is the rarest of books: a genuine thriller, a brilliant distillation of our anxious age, and a work of high literary merit that deserves a place among the classics of dystopian literature." — Washington Post
“The best book you can read right now . . . A perfectly-engineered thrill ride that is also a novel of ideas, Leave the World Behind combines deft prose, a pitiless view of consumer culture and a few truly shocking moments. . . An exceptional read that will stay with you long after you’ve sped through its final pages.” — USA Today
"Leave the World Behind is so many things—funny, sharp, insightful about modernity and race and parenthood and home—but at its core it’s a story of our shared apocalypse; a steady look at humanity in the moment it tumbles from a great height. I have not been this profoundly unnerved by a science fiction novel since Ishiguro’s Never Let Me Go."
— Carmen Maria Machado, author of Her Body and Other Parties
"Leave The World Behind is that rarest of things, a beautifully written, emotionally resonant page-turner. Alam explores complex ideas about privilege and fate with miraculous wit and grace." — Jenny Offill, author of Weather
"Rumaan Alam's Leave the World Behind is the fall's biggest novel." — Entertainment Weekly
“If there’s one book that will haunt you in 2020, it’s this one….Equal parts literary fiction and suspense, Leave the World Behind is an unsettling, thought-provoking, and disturbing look at both the precarious state of world affairs as well as class and race relations. In a year when anything — including the apocalypse — feels possible, this novel offers a realistic glimpse of how the world as we know it could end, and it will leave you reeling.” — Buzzfeed
“Rarely have I encountered a book so cuttingly prescient about the current emotional atmosphere…Alam’s deployment of creepy, inexplicable detail is masterful….In some ways, the premise feels like the setup of any number of horror films, but Alam’s writing transcends that comparison, and the material with which he’s working is actually much more complex…This is a thrilling book—one that will speak to readers who have felt the terror of isolation in these recent, torturous months and one that will simultaneously, as great books do, lift them out of it. This book is going to be, as they say, big." — Vogue
“Perfectly paced, clever and haunting . . . This is one of those stories that inspires a hungry turn of pages, preceded by that desperate and lovely need to come up for air. So easily the best thing I’ve read all year.” — Kiley Reid, author of Such a Fun Age
“Enthralling…. [Alam’s] achievement is to see that his genre’s traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different, a recognition that we won’t find a new normal.” — The New Yorker